We entered.

“Come see the artwork,” they said,

So I looked, and I saw it –

there, up ahead,

And above, and below, and indeed,

all around,

In wall, floor and ceiling,

easily found.

They pointed,

“Look: collages, etchings, drawings, and paintings.”

But I really preferred the

subtle swirlings

Of the slate floor’s grain lines as they

whirled and twirled

And crashed against the edges of their

stone-block world.

They claimed,

“These collages profoundly express social awareness and deep feeling.”

But in truth, I thought more of the

ceiling

Where the gaps and the cracks in the rough

two-by-fours

Told me vague tales of time sealed behind

the past’s doors.

They stated,

“This artist portrayed life in candid and bold etchings and sketches.”

But my interest was all in another floor’s

stretches

Of marbled molasses set in wood

honey-brown,

Sealed smooth so I saw my own face when

I looked down.

They spoke,

“These paintings…” but I still didn’t hear.

I was too busy looking up, down, far

and near,

Completely wrapped up in all that

I saw.

This was pure beauty

raw.

What more did I need?

But did I

see all there was to see?

Could I

have looked beyond (and how far?) what I saw easily?

Could I

have tried to comprehend something unnatural to me?

Could I

have reached out to grasp a different kind of beauty?